Friday, March 29, 2019

Myths, Homes, and Self-Portraiture


The works of Wendy Red Star and Kambui Olujimi address the themes of identity, home, personal narrative, and mythology in different ways. Their difference in approach also includes a variety of how they touch upon these topics, with the most obvious being their mediums. In the case of Kambui Olujimi, he utilizes video and projection in order to speak on identity, home, personal narrative through the idea of mythology itself. His work is a reflection of folklore, told in a non-linear format like an ancient Greek epic, only with a modern twist. Wendy Red Star however, approaches these themes through a collection of material mediums, ranging from photographs, drawings, maps and textiles. However, she also touches upon the idea of mythology within her own culture, and creates an epic of her own making.

In terms of narrative, Wendy Red Star’s work was about Native American heritage and identity. A few of the pieces in her exhibit that stood out were the archive photographs of Native Americans, with writings drawn over them to highlight the various parts of their dress and their historical, cultural, and mythological representations. Another piece is the stuffed animals that she created, based on the drawings of some of the tribe children. At first glance, these stuffed animals appear to be regular animal figures, however, when you take a closer look at the drawings that the children made, there is a mythological aesthetic in the form of cave drawings that give you a deeper story which Wendy Red Star brought to life. Other pieces that stood out were her “Four Seasons” photographs, which spoke directly to Native American identity and culture, represented in terms of how she is dressed and her surroundings. The maps that she created also speak directly on identity and culture of her tribe, as she uses archive photos and traditional garb to show the positioning of her tribe across an early map of the United States. Each of her pieces speak directly to a personal narrative, as Wendy Red Star herself is a Crow tribe member, and presents that identity and culture in her pieces.

Kambui Olujimi’s work takes a more non-traditional approach in contrast to Wendy  Red Star. He presents a more mythic approach to his narrative, and it is unclear whether there is something personal wrapped within the story. However, the characters presented in his short film are expanded upon more in a novella that he personally wrote. He touches upon the idea of home and identity in a different way as well, putting his characters on a non-linear journey that thrusts them into various directions as they try to succeed in finding their sense of belonging in this world that Olujimi has created. It is hard to truly discern the meaning behind his story however, as the non-linear storytelling is very jarring when being experienced.










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