The construction
of one’s identity is the gathering of all the different attributes and qualities
that make up an individual in their entirety. Whether it be their ethnic
background, their year of birth, or even their shoe size; all of these aspects
come together to form a person’s identity. Though society does have its place
in the constructing some of a society’s identity, it is up to the individual to
discover who they are and what they choose to identify with. This alludes to
the great strides being made to combat’s society’s grip on gender identity.
According to Judith Howard, these gender norms we typically associate as
biological are actually, learned through early socialization and enacted and
reinforced throughout the lifespan.” This change in approach of how we perceive
gender is liberating to many who are a part of the gender non-conformist communities.
This concept of the individual determining how they construct their own identity
as opposed to society is focused under a finer lens and is personified through
the Montclair Art Museum’s exhibition “Constructing American Identity.” Where
five pieces will be discussed to further demonstrate idea of identity.
Bernabe Mendez, Spiderman, 2007.
Interestingly enough, the realm of identity is not limited to
the confines of reality in some cases. Take for example Mendez’s “Spiderman.” In this piece, he chooses to
depict someone as a fictional character, in this case its Spiderman, which to
some may seem like a rather childish concept, but personally, I feel that it is
empowering and has an impactful message tied to it. This may be a tad biased,
considering I re-watched the new Spiderman movie for the eighth time last
night, but the message Mendez is conveying here seems so clear, (I may never
know because the image I took of the abstract was too blurry to read.) From
what I can remember, getting this image took a lot of effort, and to go through
all that struggle just to get this image of Spiderman cleaning a building window
means a lot to me. As for the message, it depicts someone wearing the Spiderman
costume doing a particularly menial task, but a rather dangerous one. It shows
that this person can be anyone who is brave enough to do the job, no matter who
or what their true identity may be. That to me is a powerful interpretation of
what identity can mean to an individual.
Faharru Pecou Rockwell
Radiant, Pop Champ, 2010.
The work of is a very meta interpretation of the ideas presented
in this exhibition discussing identity. This homage to an earlier work by
artist, Norman Rockwell, encapsulates the essence if the construction of one’s
identity in terms of being an artist. Pulling from influences and inspirations
to literally construct a representation of yourself is what Pecou is presenting
to the observer in this piece. Both him and Rockwell have images of people they
admire or aspire to as reference in their self portrait which is an aspect of
their identity as creatives. The people they look up to are a part of their
identity, which are literally being interpreted in their works/ This connection
to identity is self-aware and adds a new layer of meaning to the term “self-portrait.”
The way he sees himself is also alluded to in this image because of the literal
distortion of himself in the mirror and in the projected reality being shown in
the image. All these layers of interpretation add to the construction of an
individual’s identity, in this case it’s the way the creative perceives his own
identity.
Dawoud Bey Smokey, 2001.
This piece commented on the shaping of an individual’s ethnic
and cultural identity. It is a photograph of a Chicago resident known as Smokey
that depicts him in his as he is, or rather, as he sees himself. He dresses for
the occasion in the outfit that represents himself as an individual the best. The
urban streetwear he chose to wear demonstrates the kind of person that he
identifies as in terms of his ethnic background. He identifies with the community
he is accustomed to and it is accentuated by the masterful photography of Dawoud.
Smokey sees himself as a part of the urban community he is surrounded by and chooses
to represent that as a large part of who he is, which is a powerful story of someone
constructing their own cultural identity.
Sandy Skoglund, A
Breeze at Work, 1987.
In this work, Skoglund personifies the animation and motion
of unseen wind in the workplace depicted in this piece. To identify based on an
individual’s current profession is also a factor in the many things that make
up someone’s identity. Some people value their occupation and perceive it as a
part of their identity more so than others, but the fact that it is a large
part of what people during the day, makes it a larger part of someone’s
identity than they may think. Skoglund depicts the invisible energy within the
workplace that exists which alludes to how the individual perceives their place
of work. In this case a mundane office environment is interpreted in an entirely
different way, which gives insight to how someone who identifies more with
their work can interpret their workspace. That interpretation is a fairly
powerful way to describe one’s professional identity.
Allan Rohan Crite, Read
in the Gospel of Matthew, 1942.
Crites works advocate for ethnic inclusivity within religious
identity. In his work, he chooses to depict the characters in the Biblical stories
as African in order to personify this idea having a non-Eurocentric, Christian
telling of the stories, so that more people can identify with the religion
presented. This speaks to the formation of identity both in terms of ethnicity
and religion that for one to identify with both, some changes are to be made as
our society becomes increasingly diverse.
To conclude, identity is an amalgamation of many different
aspects of an individual’s life and the exhibition presents this in a very interesting
manor. All the different formations of identity explored throughout the
exhibition further exemplifies the idea that the individual is a complex coming
together of all types of experiences and attributes that make up their
identity.
Here's a picture I took on the way to the museum cause idk.
No comments:
Post a Comment